Social Justice Discourse Fallacies

Way back in ’03, Michael Suileabhain-Wilson came out with some excellent advice on social relations within nerdery circles that remains as valuable and useful today as it was then. These observations were couched in terms of failure modes that he’d seen infect and destroy friendship circles over and over again–the Geek Social Fallacies. If you haven’t read them, I strongly recommend you go check them out.

With those in mind, I’d like to submit my own take on a similar array of fallacies that have wormed their way into online activist spaces, and many of the loose circles that are associated with them. For ease of reference, you could count them as SJDF1-6.

SJDF1 “Tone Arguments Are Bullshit, Therefore I Can Treat You Like Something I Found In A Sewer.”

There is a long history of people in power using civility as a weapon to silence dissent from the status quo. How else can you describe parents who subject their children to conversion therapy but as cruel, abusive, perhaps even murderous? How can you describe a governor who would force a woman to endure having an object inserted into her vagina against her will–which meets the definition of rape, by the way–as a precondition to undergoing a perfectly legal medical procedure, except to say that he’d rather see women get raped than be able to control their own bodies?

These are uncivil things to say. They are condemnations in the harshest terms I can muster. But they are also fair assessments of the behaviors of some respected members of American society. (If you’re not American, you can probably think of things in your own country that fit this description.)

People who are happy with the status quo invoke incivility and bad manners as a way to stifle dissent. If you cannot describe the crime, then you cannot fully describe the scope of the injustice. As long as false civility and pleasant discourse is valued over human dignity, injustice remains intractable.

This is doubly troubling because the people who suffer under systemic injustice often have years, decades even, of anger about the treatment they’ve been subjected to. Their dignity has been sabotaged again and again. They may have suffered materially, getting locked in a cycle of poverty or subjected to physical violence. These things create anger, and that anger is wholly justified. The mantra of civility is used to put a lid on that anger, to again help deny the scope of the injustice and the urgency of reform. Anger can be a powerful tool, a motivator not quite like any other, and stripping people of that tool through the use of social convention can only perpetuate further injustice.

All of the above being true, you probably shouldn’t call someone a shitlord.

There is a reason that Tumblr (and more recently, Twitter) has gained a reputation for being full of shrill misanthropes who cut anyone and everyone to rhetorical shreds at the earliest opportunity. It’s the same reason so many people get frustrated with trying to follow the newest, most boutique anti-oppressive vocabulary. It’s because a lot of people hold onto this idea that just because anger can be righteous, that it must necessarily always be so. Somehow the well-founded observation that an obsession with civility is often a defensive strategy of the over-caste has mutated into a cancerous notion that the deliberate lack of civility, of manners, of basic respect and courtesy, must therefore be somehow more honest, more genuine, more radical, and more conducive to progress. And it’s not just the perceived members of the privileged elite who are subjected to this treatment–most social justice flame wars that I’ve witnessed were civil wars. The eagerness with which some toxic communities gather to pillory the poor newbie or outsider who wandered onto the battlefield can be understood to be a sort of collective sigh of relief that, oh good, finally here’s someone we can all stomp on together, as a community.

It is this attitude more than any other, I think, that has caused the very term “social justice” to become loaded with poisonous connotations. Allowing deliberate rhetorical cruelty to stand in for honesty and intellectual rigor is perhaps the greatest own-goal that social progressives have made in generations. Being inappropriately polite might put you in the wrong, but being rude does not make you right. For some reason, this simple distinction has been lost. And so, again and again, we witness people come to the understanding that injustice exists, seek out an education on what they can do to come to grips with and combat the problem, and then flee in horror just a few years later, burnt out, emotionally scarred, and having accomplished little if anything of value.

SJDF2 “Intent Isn’t Magic, Therefore It Is Irrelevant.”

Along with the corrosive use of civility as a weapon to stifle dissent, there is a long tradition of acting as if inadvertently harming someone means that the harm was not done, or that it didn’t matter, or that no effort was required to rectify the offense. If a bunch of white people make a black person feel uncomfortable without realizing it, the logic goes, then it’s the black person’s responsibility to not make a scene because it’s not like they intended any harm.

Clearly, this is bullshit.

So people who criticize the way the social status quo harms and marginalizes anyone who doesn’t fit the straight-white-guy mold have developed a phrase to counter this line of argument: “Intent isn’t magic.” That is, your good intent does not undo the harm you inflict unintentionally. You still must take responsibility for the negative consequences of your actions, even if they were made with the best of intentions. And this is a really good notion and one that is important to keep in mind when you are surprised to learn that someone is upset with you over something you thought was innocent. If your intentions truly are that pure, you will want to know when you’re hurting people so that you can stop doing that.

But don’t go too far the other direction, as so many Twitter commandos do, and completely discount the importance of intent entirely. There is even an implication in some circles that pointing out that you didn’t intend to hurt someone’s feelings is inherently a disingenuous defense. And so the difference between an accident or ignorance and specific, intentional malice gets erased. There are no more accidents, only attacks.

When combined with SJDF1 the results can be explosive, and for the person who stepped on the landmine, bewildering. Nobody comes away from one of these incidents a better person, aware of their shortcomings but committed to change. They come away from it with the idea that people who use the word “privilege” are dangerous drama bombs who must be avoided.

SJDF3 “Offending My Deeply Held Convictions Is Indistinguishable From Material Harm.”

This is the same attitude that leads people to think that it is reasonable to make broad, sweeping judgements about the moral content of someone’s character based on a few tweets that might have gone out while they were upset or drunk or whatever. This attitude is similar to SJDF2, in that it attempts to erase the distinction between differing levels of offense. Suddenly, being called a dirty word is the same as being punched in the mouth, is the same as being evicted unjustly, is the same as being murdered. The Internet has a way of erasing fine distinctions, of making all statements equally urgent, and a way of bringing stimuli that we may not want directly into what we perceive as our territory, our emotional turf. And that can hurt, but does it actually harm you to see someone say or do something you find abhorrent? Does it take food from your mouth or put you on the street? Did that off-color joke doxx you or send slanderous emails to your boss? Gamergate made it impossible to deny that things people say and do on the Internet can be genuinely harmful, even evil, that’s absolutely true, but not everything that pisses you off is on the same scale as Gamergate.

In a broader sense, there’s going to be things that happen on TV or in movies or in comic books that you don’t like. There will always be skuzzy corners of the Internet where you don’t want to go. That’s inevitable. Some of it will offend you on moral grounds. You might have very strong arguments for why people shouldn’t like that stuff. You may be bummed that people are buying, consuming, and spreading around media that contains messages or subtext that you find disagreeable, or even destructive. That’s the price of living in a free society.

This doesn’t mean accept the status quo and never work for change, far from it, not at all. Speaking for myself, I wanted to see more female characters at the center of their own stories, so I started writing deliberately feminist fiction. But the best I can hope to do is provide an alternative. (As an aside, I’ve come to the conclusion that working for a positive change is almost always the more productive option, because it is only with positive momentum that you will pull people along in your wake.) There will always be people who disagree with me, who value different things than I do, and as long as that’s true, there will be folks catering to different tastes–and even differing moral systems–than mine. At some point, we all have to choose if we want to accept that price, or if we want to forever be carrying around a sense of aggrievement that somewhere, somebody is doing something we wish they wouldn’t.

Think really hard about if you want to be the same kind of person who wishes the only thing allowed on TV was Wholesome Christian Programming that didn’t offend their values.

SJDF4 “It Is Always Appropriate, And Indeed Necessary, For Me To Publicly Call You Out.”

There is an appropriate time, place, and manner for anything. As a community, we can no longer discount the power of an outrage storm sparked by some well meaning tweets. Again and again, people who made innocent (or maybe not so innocent) mistakes have been subjected to a kind of public scouring that was all out of proportion to their initial offense. Combined with the the way the prior two fallacies tend to erase any distinguishing scale or quality between showing a little embarrassing ignorance and screaming in a bullhorn that Hitler did nothing wrong, it is far, far too easy for drama to spiral out of control and destroy entire communities.

If you feel a need to speak up, by all means do so, but remember that ten thousand people probably share your opinion as well, and what seems like a thirty second investment to you–make a tweet and close the tab–might be part of an hours long ordeal for the person you’re calling out. Is what they did really worth having ten thousand strangers show up on their virtual doorstep with picket signs and bullhorns? (Hint: it almost certainly is not.)

Worse, any community that allows this ethos to take hold is basically inviting trolls into their midst. Trolls love destroying people for no good reason, and an ethos that says we must all keep our little red books close at hand and be ready to denounce the counterrevolutionaries at any opportunity is like a luxury resort to the Internet’s shit-stirring contingent.

Sometimes it is better to let a few mistakes slide or have a quiet word in private than to blow up the whole conversation. Sometimes this isn’t possible or it’s possible but inappropriate, so we have to be willing to have these conversations in public, absolutely. If that’s your only realistic option for redressing injustice, then maybe that’s what you’ve got to do. But we must strive to exercise good judgement and compassion (for all involved parties–compassion does not mean giving a free pass, nor does it mean sacrificing your own dignity) when we decide how we’re going to have these discussions. Remember the amplifying effect of social media, and how conversations can be stripped of context, sensationalized, and spun into something very different than what you intended. If you need to have a difficult conversation in public, go for it. But superficial point-scoring or public pillorying should not be our default mode of conflict resolution.

SJDF5 “Privilege Is A Linear Scale, And Those At The Bottom Are Always Right.”

Nope. Nuh-uh. I’m a trans woman, which places me in one of the most stigmatized and at-risk demographics in the world. But I’m also a college educated white chick with a steady job. A straight, cisgender man who happens to be black has a lot more to worry about in regards to discrimination than I do–at the very least, I can attempt to pass as cis, but he cannot change the color of his skin. I can also speak to police officers without being overly concerned that I’m in imminent peril of being shot. Privilege isn’t a quantifiable resource, that some have and others are denied, that can be measured and ranked on a simple scale. It’s not like you come out of the closet then deduct 10 points from Gryffindor. It’s complicated, and contextual, and murky as hell.

Conversely, those who do have high levels of privilege, who come close to that archetypal boogieman of the clueless straight white dude, are not responsible for all of society’s ills on a moment to moment individual basis. If I get into an argument with a cis man, I can’t hold him–as an individual–to account for the fact that I have to live in a cis-centric society that rigidly polices my gender and appearance. The challenges and discrimination I face (and yes, I’ve been discriminated against, at times to my great detriment) are not tokens to be cashed in for moral authority during an argument. Conversely, the mere holding of social privilege (privilege that by its nature is unasked for) isn’t sufficient grounds to discount what someone says.

But too often, that’s exactly how concepts of privilege and discrimination are invoked, and it can feel like a Kobayashi Maru to be on the wrong side of this kind of a dynamic. That doesn’t lead to progress or education or even just the ability to maintain a livable environment where people are not walking on eggshells all the time. And if you think this dynamic can’t be turned against you, that you’re so far down on the ladder that this kind of logic can only help you, then not only are you belittling the struggle, you’re setting yourself up to find out just how wrong you are in the most painful way possible.

SJDF6 “My Safety Is Your Responsibility.”

No it isn’t. Your safety is your own responsibility. Sure, everyone should do their best not to harm others, but eventually you must take responsibility for your own experience of the world. If you don’t, someone else will make those decisions for you, and they won’t be made with your best interests at heart.

Does taking responsibility mean that nothing bad will ever happen to you? No, obviously not. Nor does it mean that bad things that happen to people are somehow inherently their fault. What I’m talking about here is the attitude that other people should take responsibility for you–but that you shouldn’t have to.

Twitter is, by default, a public forum. So is Facebook. So are most blogs and most of Tumblr. These places are not your safe space. (I don’t really think safe spaces exist, though that’s a debate for another day; what is clear to me is that considered spaces are the best anyone can hope for outside of their skull.) Anyone who logs in signs an implicit social contract, and part of that is to handle your own shit. Too often I have seen people try to outsource their emotional management onto others, using (and abusing) the language of harm as a justification for not taking responsibility for themselves.

This can go as far as conflating safety with comfort, and in conjunction with some of the other faulty assumptions described here, can lead to incredibly unhealthy drama. In the bizzaro world of a social justice discourse gone toxic, it can seem as if when someone does something–like use a common word in a certain way–that makes someone else uncomfortable, suddenly they’re an abuser. (This goes hand in hand with SJDF2, and the presumption that all harm must have been intentional, or may as well have been.) This is nuts, but I’m really not exaggerating how this dynamic can play out.

And of course it goes without saying that when two people operating on these rules of engagement meet, fireworks of the energetically unpleasant sort are not far behind.

If you want to be a good citizen of the Internet, get your skin as thick as you can manage it. Be as generous and forgiving a spirit as you can manage. And when things are too much and your armor is wearing thin, tap out. It’s okay. Self care is always an acceptable option. Just as your safety is your responsibility, you don’t owe anyone shit when it comes to looking after yourself. This isn’t meant to cut anyone down–it’s meant to be empowering. Everyone has the tools to look after themselves, at least in a basic way (obviously sustained harassment and doxx campaigns are a whole different kettle of fish) and everyone should feel empowered to use those tools for their own benefit.

So there you have it, the main social justice discourse fallacies that I see kneecapping progressives online again and again. I firmly believe that we are in the midst of a wonderful transition to a fairer and more just society. It’s wonderful that previously disenfranchised groups are finding venues online to make themselves heard. But I also believe that we are in great danger of a major backlash if we do not address the root causes of this pernicious problem we face, this tendency for the language and ethos we use to advance the cause of justice to instead make us all feel unsafe.

Because you’ve felt it to, haven’t you? That lurking dread that someday, you’ll put a toe out of line, that something you did and always thought was harmless will be ruled problematic, and then there’s blood in the water and no help in sight.

It doesn’t have to be that way.

 

More Thoughts

Checking all the Progressive boxes is not more important than doing something raw, and honest, and true.

It’s possible for something to not jibe with the current social justice discourse consensus, and still be brilliant, and beautiful, and valuable.

Do not measure artistic quality by how closely it aligns to the latest political vocabulary pack. Get over rough language. Move past being anxious about speaking to everybody–it’s hard enough to truly speak to yourself.

It’s braver to be deeply honest about one facet of the world than it is to try and get nothing wrong about everything.

I feel like there’s something coming, some idea I’ve been groping towards for months. Feeling around the edges until I find enough of a grip to heave it up out of the mud.

Fuck The Representation Debate

These are unformed thoughts that I’m still working through, but I want to get them out there:

Can we please move past the tedious circle of arguing about the need for greater representation of women and minorities in fiction? It’s important. There. That‘s a solved question.

What’s more important, and far more interesting I think, is what you do once you’ve decided that your narrative defaults are going to represent the world as it is–a place where white men are a global minority. It’s actually a real easy switch to make, and there’s no excuse not to.

But once you’ve done that, where do you go from there? Can representation be an artistic goal in and of itself?

NO. NOT EVEN FUCKING CLOSE.

You know what happens if you make diverse representation your main artistic objective? You get the left-wing equivalent of the runny gruel that passes for Evangelical Christian “alternatives” to mainstream culture.

At this point, I think it’s more feminist to make art about women that’s grungy, rude, painful, and raw than it is to pound your chest about how many times you pass the Bechdel Test. Having representation of a diverse population is literally the very least you can do–letting it be your gold standard is to embrace mediocrity. It should be a prerequisite, not an achievement.

“GamerGate didn’t do that.”

Okay, there’s a meme floating around that I want to take a pot shot at here if you’ll bear with me for a moment. It goes something like this: “How can you say that GamerGate even enters into the threats against Anita/Zoe/Brianna/etc? Where’s the proof? Where’s the evidence? Did they support this? Did they applaud this?”

Right. So that’s the meme. You’ve seen it around, right?

Here’s my answer:

Well, there’s been the months long pattern of escalating harassment that has proven links to a lot of GG incubators like 4chan/8chan, certain closed IRC channels, etc. There’s the fact that multiple specific threats have been made against more than one woman, all of whom have been sucked up into this bullshit tornado at one point or another, and the threats against their lives just happen to coincide with new waves of outrage among GamerGaters. There’s the fact that at least one of the specific threats mentioned GamerGate in its text, and probably more but I can’t be arsed to run down an exhaustive list just because you whine at me. There’s the fact that Adam Baldwin, the guy who coined the term GamerGate and is pretty much its most high profile booster, has a history of trying to dismiss threats as fake threat, or saying that Anita was somehow milking it or anyhow it wasn’t actually a big deal or if it was a big deal it had nothing to do with GG and she was still vile slime who should just shut up.

I mean, other than that, no, there’s not much to go on.

Look, this shit doesn’t happen among car enthusiasts or music fans. Movie buffs and sports geeks don’t do this kind of thing, at least not in any world I’m familiar with. But this *does* happen in gamer communities, and it happens frequently. It’s been happening for years. It keeps happening no matter how many times the respectable moderates post about how shocked and horrified (did we mention horrified?) they are that someone would make death threats against those women they’d been calling skanky hagcunts for months on end. GamerGate itself isn’t new or unique or really even that different than anything that’s come before it; it’s only a crystallization of a lot of really horrible trends and patterns that have been around for years. So if you really, really want to, you can draw neat lines and pretend that GG has nothing to do with (certain) threats. That’s not a real credible position, and you’re going to have to make some untenable arguments, but you can try. You can clap your hands make believe.

But that doesn’t change the fact that gaming, as a subculture, is showing itself embarrassingly childish, nasty, and cruel, or that these threats grow out of that environment. GamerGate embodies that. It was founded to shame a woman for having sex, and any claim to the contrary is chaff and propaganda. These threats are the logical, perhaps even deliberate, outcome of those first early planning meetings held in an IRC Channel. To claim otherwise is to, at best, be a useful idiot for some of the most hateful, bigoted people on the Internet.

And that’s a shitty place to be in life.

MichFest Fail, Vol. MMCMLXXXI

MichFest published this statement on Facebook a few days ago, their latest response to the perennial criticisms of their “Womyn born womyn” policy. Let’s fisk it, shall we?

The Michigan Womyn’s Music Festival was created in 1976 as a space to gather in celebration and exploration of the experiences of females.

Right off the bat, they start seeding the ground for a disingenuous denial of trans women’s identities. Here they are implicitly conflating being female with being cis. They state their goal is “the celebration and exploration of the experiences of females” and then spend the rest of the statement arguing, essentially, that some females are more female than others.

For almost 40 years, it has been a welcoming space for revolutionary womyn and girls who personify a broad spectrum of gender.

If by “broad spectrum” they mean “lots of different kinds of cis people.”

Anyone who has been to the Festival knows firsthand the truly radical and diverse nature of our community. There is no greater variety of embodied womyn’s gender expression anywhere else in the world.

This statement only begins to hold water if one considers that the subset of “womyn” doesn’t include trans women. Otherwise, any average trans girl twitter circle is probably just as if not more diverse.

However we express our individual gender identity, for this one week, we recreate ourselves outside the margins of female socialization, and use this sanctuary to examine and unpack the very real oppression of being born and raised as females in our male-defined culture. We carve out this space to turn our attention toward ourselves and toward one another in a culture created and defined by us.

Here we get to the real meat of their argument, the “born woymn” clause. It’s fatuous for two reasons. First, it presumes that trans women are never born female, which is wrong on its face. Many of us assert our gender identity as soon as we are old enough to be able to make such assertions. The trans experience is vast and multifaceted, so I won’t go so far as to say we’re all aware of our gender that early, but clearly some of us are “born female” as much as any cis woman.

Second, it presumes that there is no real oppression faced by young trans girls as they grow up in that very same male-defined culture that MichFest decries. I promise you, there is. I was emotionally abused for years as a child, in large part, I believe, because I did not really fit into the gender role that I had been assigned. Even though I only became aware of being trans in my early 20s, I was never “one of the boys.”  I was very bad at being male, and I paid a severe penalty for that. Trans girls are ground up and spit out by the patriarchy at a horrifying rate. We know gender based oppression as well as any other group on the planet. 

We have said that this space, for this week, is intended to be for womyn who were born female, raised as girls and who continue to identify as womyn. This is an intention for the spirit of our gathering, rather than the focus of the festival. It is not a policy, or a ban on anyone.

You know what it’s called when you do something abusive, and then deny that you’re doing it? It’s called gaslighting. MichFest is trying to gaslight the entire trans community.

We do not “restrict festival attendance to cisgendered womyn, prohibiting trans women” as was recently claimed in several Advocate articles. We do not and will not question anyone’s gender.

Oh really? Nancy Burkholder will be shocked to hear that. MichFest chased her out of the festival all the way back in 1991, and hasn’t apologized or changed its stance since then.

Rather, we trust the greater queer community to respect this intention, leaving the onus on each individual to choose whether or how to respect it.

This is one of the most noxiously passive aggressive sentences I have ever read. Basically, they refuse to call their policy a policy, refuse to provide any specifics or details on it, and then try to push off responsibility for it onto the heads of the people it is discriminating against. Their whole womyn-born-womyn stance is clearly meant to be inhospitable towards trans women, and it is disingenuous in the extreme to pretend otherwise. To then act as if it is the responsibility of trans women to sort through all the doubletalk and innuendo and police themselves on top of this is a really gross kind of cognitive judo throw.

Although this sentence is notable for how blunt and forward it is about its greasy manipulation, this tactic is not unknown to us: this is exactly how patriarchy operates. By attempting to create cognitive dissonance (you’re not banned, you’re just unwelcome!) to define the boundries, and then acting as if the oppressed have some kind of moral obligation to respect those boundaries is the foundational tactic of patriarchy, and it is deeply ironic that MichFest embraces it to such an enthusiastic degree.

Ours is a fundamental and respectful feminist statement about who this gathering is intended for, and if some cannot hear this without translating that into a “policy”, “ban” or a “prohibition”, this speaks to a deep-seated failure to think outside of structures of control that inform and guide the patriarchal world.

Or, you know, an ability to understand your words as you have said them.

Trans womyn and transmen have always attended this gathering.

Except for all the times they were kicked out, of course. And the times when they are not kicked out, what is their experience like? The authors do not say. Are they welcomed? Are they scorned? This is kind of an important point to clarify if they wish to claim trans women are granted full participation in the festival.

Some attend wanting to change the intention, while others feel the intention includes them. Deciding how the festival’s intention applies to each person is not what we’re about. 

Again, this is clearly disingenuous. MichFest has repeatedly stated that womyn-born-woymn refers to women who were “born and raised as girls” and has a history of asking trans women to leave the festival. They very much are in the business of deciding how the festivals “intention” (read: policy) applies to the attendees, even if they have moved on from expulsion to passive aggressive shaming. That lovely healing energy they’re so hot to talk up sure does clash with the scowls and intimations they send our way, doesn’t it?

Defining the intention of the gathering for ourselves is vital. Being born female in this culture has meaning, it is an authentic experience…

Okay, first of all, “authenticity” is a chimera that white liberals came up with. Beyond being snooty about what kind of salsa you’re willing to eat, it doesn’t really exist.

…one that has actual lived consequences.

Oh fuck you. Last year, I was fired for being a woman. Trans women endure all the consequences of being our gender that cis women do, only more severely and more frequently. We are one of the most at risk groups in the United States for rape, murder, and discrimination. Don’t fucking talk to us about consequences. We know consequences. Our attempted suicide rate is higher than any other demographic in the country. I do not know a single trans woman, not a single fucking one of us, who hasn’t been suicidal. Being suicidal is a rite of passage for us.

These experiences provide important context to the fabric of our lives, context that is chronically missing from the conversation about the very few autonomous spaces created for females.

Again, the conflation of being female with being cis. Here “autonomous spaces created for females” is implicitly cast as a trans-exclusionary concept. This right here is the nub of the trans community’s objection to MichFest. You cannot claim to be “for females” if you arbitrarily exclude a category of women. You cannot claim to be sympathetic to us while simultaneously denying our womanhood, our very identities.

This erasure is particularly mindboggling in a week when 276 girls were kidnapped and sold into sex slavery solely because they were female. This is the world females live in.

Can we pause and marvel for a moment at the chutzpah it takes for an organization made up of predominantly middle and upper class white American women to appropriate the pain and horror of an atrocity that happened to a poor black community halfway around the world?

There are many who are trying to forge a conversation that is based on open dialogue – both as a political value, and as the best tool to reduce divisions and build strong empathetic understanding and alliance.

Again, you cannot claim to be interested in anything even resembling empathy if your baseline position is that we are not female, that we don’t belong in female spaces, that we should not have access to the same celebration and healing as cis women.

We cannot allow the tactics of fear, bullying and harassment to control our community. We cannot stand by as people are harassed on Facebook and Twitter, as feminist artists and events are boycotted, communities are censured, and threats of violence are bandied around as acceptable speech.

Threats of violence are never acceptable, full stop. That there have been such incidents is despicable and destructive and I condemn them in the strongest possible terms. That being said, it is dishonest and unfair to speak of these incidents as if they are endorsed by the wider trans community. We do not accept this. We categorically reject it.

As is true in all of our home communities, the Michigan community is of many hearts and minds in this conversation, and we are committed to shifting our focus towards building alliances across our multi-faceted identities and beliefs.

How, exactly, does this concern us? Our objection is not that MichFest doesn’t do enough community; it’s that we are implicitly barred from entry. And further, I sincerely doubt the organizers of MichFest do care about building alliances, at least not with trans women, as they have again and again given us the cold shoulder.

We organized a series of workshops last year on the land that were a beautiful living model for how to forge dialogue, to speak to and hear one another through difference, to practice radical listening and to aid community building.

Sounds wonderful. What a shame trans women were shunned out of attending.

Hundreds of womyn participated, including trans womyn, and some of the most radical and healing work was created by womyn representing the full spectrum of perspectives on this and other complex gender identity issues.

Okay, when MichFest say trans women here, do they mean trans men? FAAB Genderqueers? What? Because given their emphasis on what people were “born as” (that is to say, assigned as upon birth) it sort of sounds like they mean “trans people who we think are women” but are actually men/something else. They throw this out here at the very end as if it means something, but they are so vague on the specifics, and so fanatically dedicated to avoiding making a clarifying statement about how trans women are to be treated while in attendance, or even if attendance is in fact allowed, that it really can’t be taken to mean anything.

Again and again we hear about their intention, but their commitment to avoid making specific policy declarations and calling them that means that the de facto policy cannot be criticized head on. Any time somebody tries, MichFest can just slip aside from the point by shrugging and saying “Policy? What policy?” It’s a dodge to avoid getting nailed down to a position that they might have to change. Instead they hare content to muddy the waters and rely on cognitive dissonance and a general sense of being unwelcome to keep the tranny population down. It’s a remarkably similar tactic to the ones used in male dominated spaces to marginalize women. Think of all the times you’ve heard about tech spaces saying they want to be “informal” and maintain “community standards” that don’t rely on codes of conduct. It’s the exact same thing.

We will continue this work at the 2014 Festival as we carry on our longstanding tradition of positive and radical discussions.

Yes, there will be endless conversations, endless dialog. Of course there will, because that is one of the best stalling tactics of a status quo.

We will continue to have these conversations face-to-face, heart-to-heart, not walled off from this difficult conversation or standing behind anonymous computer screens and keyboards.

My name is April Marlin Daniels and my email is on the contact page. There is no anonymity here.

We remain committed to always approaching at times complex and even divisive issues with compassion, love and respect.

Are you fucking kidding me?

Wanna Get Radicalized? Write a Book.

There’s been some muttering online recently to the effect that the Bechdel Test isn’t important anymore, that the number of women represented in media doesn’t matter so long as the quality is good. The technical term for this idea is “horseshit.” Men are not the default configuration of humanity. We must stop acting as if they are. The larger the cast, the more imperative it is to include women. This is a point on which I have almost no compromise. The one exception is stories which feature a setting in which women would be rare, such as historical war dramas, but if you really know your history you’ll find that’s a much narrower slice of the narrative pie than is popularly believed.

Why am I such an absolutist on this point?

Because I wrote a book in which all but two of the speaking parts were women, and it didn’t hamper me at all. There was no compelling narrative reason to include more men. There were no story points that only made sense if they involved men. It was easy, almost thoughtlessly easy. And this is a book filled with sex and violence. I had a hard-bitten soldier, a cunning manipulator, a tough underdog, and so on. A speaking cast of about twenty two roles, with many different personalities, opinions, attitudes. Almost all of them women, and it didn’t hold the story back at all.

Which means that there is no compelling narrative reason to ever exclude women from your work.

Women are people, dammit, and that means they’re exactly as interesting as the writer makes them. They can fit any role in almost any story. There is no reason whatsoever to arbitrarily make women an afterthought, an also-there, an eternal minority. I mean it. And this is especially true of fantastic settings. The more unreality you put in your story, the fewer excuses you have. The larger your cast is, the more diverse it should be. (In all ways, of course, but I’m talking mainly about gender here.)

Your stance shouldn’t be finding justifications for including women in your work. It should be making sure you have enough of them!  Unless you have a compelling need to exclude women, their absence is a flaw in your work. Yes, a flaw. It reduces your work’s quality. You can be brilliant in all the other ways, but if your cast is biased in favor of men, then it is not as good as it could be. I don’t mean this from a political standpoint, I mean that its asthetics will be hampered by your decision to exclude or downplay the presence of women in the world.

And also? If you do find that you have a “compelling reason” to exclude women from the story, then maybe you should take a long hard look at why you think that story needs to be told so badly, and why it needs to be told in such a way as to keep women out of it. Telling stories is about communicating. If you don’t talk to women, you’re avoiding direct communication with half the audience. What is so important that you can’t include everyone? This is a more political point, but then again aesthetics are more political than most people want to admit. (And yes, I do believe that the absence of men is not a flaw in the way that the absence of women is, at least not for fiction produced in the social and cultural context in which I currently operate.)

The larger the cast, the smaller the excuse. The more fantastic the setting, the more pathetic the justification.

Write a book. Include lots of women.

CLASSIC: Pathetic Female Characters

NOTE: This post originally appeared on the blog I maintained under my now defunct pen name.

 

I play Borderlands.

So do a lot of other women. The game is notable, in fact, for its large and vocal community of female fans. No matter what the dudebros down at Gamestop tell you, women play all sorts of games, even very violent shooters like Gears of War and Call of Duty. The fandom of Borderlands, however, is much more visibly gender mixed than many other mainstream games.

There are two main components to Borderlands’ success with female characters: variety and flaws.

Behold! The best wetsuit ever.
Behold! The best wetsuit ever. Oh, and Maya.

Borderlands 2, like Borderlands 1, only has a single female character who is playable out of the box, despite having four playable characters included with the game. (There is a 3rd female character named Gaige who can be bought as a DLC.)  Taken by itself, this could be a troubling sign of tokenism, and in truth I do grumble about it endlessly to my friends.  And sadly, despite being a playable character, Maya is perhaps the least developed of the women I’ll profile here. She is competent, friendly with the other Vault Hunters, and isn’t any more or less psychopathic than anyone else in the game. (Oh, by the way, everyone in Borderlands is an unrepentant murderer. I can’t think of a single character who hasn’t at least asked someone else to kill someone for them.) She’s not actually that interesting. Her back story is pretty simple: she was raised by a religious order to be their tool of domination over the population of her home planet, but rebelled and then came to Pandora, the planet where the games take place, in order to learn more about what it means to be a Siren, one of the six women in the universe who have super powers.

And that’s it. If that’s all Borderlands had to offer, I’d be very disappointed. Luckily, my disappointment with Maya is contained by the otherwise excellent cast of women in both games. It turns out, and this is really shocking so hold on, it turns out that if you have lots and lots of women in your story, it doesn’t matter so much when one of them is boring. Imagine that!

Look at that hair. *sigh*
Lilith, who is tragically not gay. My OTPs are all ruined.

Lilith is a psychopath. (Just like everyone else on Pandora.) While playing her in the first game, the player is treated to a vicarious experience of gleeful power. Lilith has fucking super powers and she knows just how awesome that is. Mocking laughter and taunts burst forth from her when she’s in a firefight against the poor, unfortunate, and dreadfully outclassed bandits who are foolish enough to fight her. She is strong, deadly, competent, and unwaveringly dedicated to being as awesome as she can possibly be. She’s also kind of pathetic, and this is why I love her.

In the second game we see new sides of her through private audio recordings. Among the things we learn is that she is a nervous wreck when it comes to talking to men she likes, is kinda-sorta addicted to a substance which makes her powers stronger, and is a bit too ready to be flattered by a homicidal cult that started burning people alive in her name. And none of this is used to undercut how much of a badass she is. She’s a take-no-prisoners power fantasy for women–something that is in chronically short supply–and also a rounded person with fears and failings and weaknesses. Both, at once.

Let’s take a brief diversion: power fantasies? What’s up with that? Power fantasies are an important part of our culture, and there is no point in denying that. Just look at, oh, I don’t know, any random movie about how One Man Stands In Their Way that’s been released this week. Clearly there is something there that we as a culture value. Should we? I dunno, that’s beyond the scope of this article. I would suggest two points however.

First, historically disenfranchised groups such as women or ethnic minorities (or, gasp, women who are part of an ethnic minority!) are very frequently starved of images of people like them being powerful and important. Straight white guys get constantly flattered with images of people just like them saving the world and generally embodying all that is good and just, but other groups don’t get that same treatment. This has a real impact on our self-assessment and judgement of our worth and capabilities, and with good reason. It’s a pretty strong signal that you don’t matter to the culture at large when simply wanting a book or a movie or a video game that stars someone who looks like you is somehow a specialty interest, when the same story staring a white dude is “more mainstream.”

Second, denying women or other groups power fantasies of their own denies them full participation in our culture. Everything from Die Hard to Superman is about straight white men being The Most Important People Ever, and our culture celebrates and reflects that endlessly. But if you just once try to make a black woman the center of a power fantasy, people lose their fucking minds. And what that says is that people who aren’t straight white guys should not be allowed to participate in our culture to the same extent, since they must necessarily do so by vicariously living through someone else’s fantasy, rather than a fantasy that stars someone they really identify with.

And the real stubborn part about this problem is that efforts to address the issue can actually make it worse. Unless you really think about how patterns of disenfranchisement work, it’s very easy to perpetuate some harmful memes.

I can’t stress how important this is enough. Over and over we see Strong Female Characters who are perfect, hyper-competent badasses, but who lack any kind of human depth. Women whose competence is essentially just another feature to make them more desirable to the (always, always, male) protagonist. When Megan Fox’s character in the Transformers movies is shown to be a mechanic, that’s not because she’s a well-rounded character with motivations and interests of her own; it’s so that Shia LaBeouf’s character can have a girlfriend who is so awesome she knows how to fix his car. (And also so she can pose like this.) It’s even worse when, despite being played up as some kind of strong, independent woman ™ she ends up captured or otherwise imperiled and needs to be saved by the slovenly slacker she will inexplicably fall in love with just before the credits roll. The modern Strong Female Character is just a warmed over version of that Victorian trap of worshiping an ideal of womanhood that doesn’t exist.

A real woman is never cross, never flustered, always primped, always presentable, always protects her virtue goes the lie. This transmutes to, a real woman is always strong, always competent, always beautiful, always available, but never a slut; you know, Girl Power!

It’s Victorian bullshit in a sports bra: pretending to flatter women by raising the standards of femininity so high that they can’t be reached. And when you fail that standard–and you will–that failure will be used to police you, to restrict you, to dismiss you, to silence you, to punish you, to ignore you. Real Women ™ are whatever patriarchy needs them to be right this moment, but don’t forget to be ready to radically change everything about yourself to conform to the new, completely contradictory standard that is going to be rolled out tomorrow. Right now, patriarchy is on the defensive, and so it needs men to flatter themselves that they aren’t sexist so that they can continue to ignore the problem. Thus, Strong Female Characters.

So how do you create a power fantasy for women without falling into that same trap? You make the power sit comfortably alongside vulnerabilities and relatable flaws. Lilith is vain, and that vanity that is born of her insecurities, a problem a lot of us (ahem) can identify with. Lilith is a powerful person in her world, but she’s a person first and foremost. She has wants and needs and fears and failings. In having flaws, she is granted dignity. We see her as a worthwhile person beyond and in spite of her flaws; they are never used to undercut her value to her friends or her strength in the world. They’re just parts of who she is, a big glorious mixed-up fuckup who also kicks ass and takes names as necessary.

There is dignity in failure. There is dignity in being recognized as having worth and value even in your moments of weakness. Male characters are granted this allowance pretty much all the time. Bruce Wayne is a neurotic mess. Tony Stark is a substance abuser. John McClaine is a terrible husband and father (No seriously, what the fuck, John?). But can you think of any female characters who have that level of flaw or weakness in their characterization, and yet are still treated as being worthy of being a hero? Or hell, let’s make it easier, who even get to be protagonists? It’s a lot harder, and if you add the further caveat that they should have the same level of exposure as the three male characters I mentioned, it becomes basically impossible.

Now, I don’t know, but I suspect that some well-meaning creative types out there fall for this trap again and again because they’re scared that if they make the main female character in their work flawed in one of these ways, that this will be taken as a condemnation of all women everywhere. We can’t have the main woman in the story be self-conscious and insecure, because then people will say we think women are obsessed with what others think of them! Oh noes!

That’s where the second half of the solution comes in: you want to include not just strongly written female characters, but MORE female characters. A lot more. If there is a particular narrative reason that you can’t have a lot of women in your story, then that is okay as long as the reason isn’t just a bullshit excuse. If you’re writing a war drama set in the trenches of WW1, then yeah, maybe you won’t have many women in the cast. If the story is set in a modern hospital, however, you’ll need a much better excuse to get away with throwing a sausage party.

Having a lot of women in your story allows you to have diverse female characters, each with their own issues and strengths and weaknesses. And now, through the magic of admitting that half the fucking species are women, you have freed yourself from the shackles of needing to treat your female characters as if each one of them was meant to represent what you think the strengths and failings are of all women everywhere. I know, it’s fucking amazing, right? Get this, by displaying a wide variety of women doing a lot of different things, you can even have women enjoying activities that are traditionally coded feminine without worrying that people will presume that means you think all women should inhabit one specific social role!

This is not a hard concept to grasp.

And it’s one that Borderlands gets so, so very right. You see, as much as it is disappointing that only 25% of the initially-available player characters are women, the supporting cast of NPCs is much, much better about being balanced between men and women. And since the point of these games is that Pandora is a dangerous place whose population spans the gambit from the very eccentric to the recreationally homicidal, more or less all the women in the cast get to be as delightfully damaged and bizarre as the men. None of the women is saddled with being the burden of representing all women, so they get to be personalized and inscribed with their own hangups, motivations, wants, and fears. They get to be individuals. They get to be human.

Moxxi is unimaginably cruel and sadistic, and she only gets better from there.
Moxxi is unimaginably cruel and sadistic, and she only gets better from there.

When we meet Moxxi she is presiding over a murderous pit fighting ring which she flatly admits she maintains to be able to indulge in her fondness for cruelty and brutality. She is an irrepressible sex pot whose cleavage is so famous on Pandora that it her wanted poster is a sketch of her chest. She is also the mother of two of the other major NPCs. A femme fatale who is gleefully murderous…and is a mother. When was the last time you saw a mother depicted in any part of pop culture that didn’t depict moms as extensions of their children or husbands? When you become a mother you are a sexless appendage to the greater glory of your husband’s sperm, or so pop culture goes. Mothers are the worriers, the nags, the wet blankets. They never get to be the ones screaming “HIT HIM AGAIN! THAT WAS FUCKING AWESOME!” But in Borderlands, they do.

Here's the best part: being fat is not a joke about Ellie, it's just something that's part of who she is.
Here’s the best part: being fat is not a joke about Ellie, it’s just something that’s part of who she is.

Ellie is a mechanic who lives in the middle of fucking nowhere, beset on all sides by bloodthirsty maniacs, and that’s just the way she likes it. Interestingly, one of the reasons she moved out into the badlands is because she was tired of her mother (Moxxi) telling her to slim down. Yes, folks, this game has a fat chick who gets fed up with body policing and does something about it. The jokes about her aren’t really that she’s fat; they’re more that she’s crass, impulsive, violent, and kind of a redneck. (Much like her brother Scooter, in fact.) There actually aren’t a whole lot of jokes centered around Ellie, in fact. She’s sort of the only sane woman on Pandora, and her pathos mainly comes from the loneliness she experiences as a result of having fled the stifling expectations of her mother. She’s still a hoot to hang out with, though.

Helena Pierce lost an arm and much of her face in a romantic gesture gone awry. A woman with disabilities? In MY video game?!
Helena Pierce lost an arm and much of her face in a romantic gesture gone awry. A woman with disabilities? In MY video game?!

If Ellie is the only sane woman in Borderlands 2, then Helena Pierce is fulfills that role in Borderlands 1. (Yes, I know I’m posting these way out of the order they appear in.) I’m fond of her, but she doesn’t really have any glaring flaws or weaknesses that are immediately apparent. Of all the women on Pandora, she comes the closest to falling into the Strong Female Character trap, but avoids it on the basis of two excellent choices in characterization. First, she has a disability (and she’s not the only character in the game to have one, as well). The way her disability is treated is very matter of fact, and allows the player to contextualize her no-nonsense attitude towards protecting the people under her care. Helena is a badass because she took her knocks and earned her scars and she knows that somebody has to be the one to make sure shit gets done.

Second, her badassery is mainly limited to being an extremely competent administrator (it’s cooler than it sounds); this enmeshes her in a social fabric, and gives her a plausible reason not to be out there shooting up the bandits in person. She knows where her strengths lay, and has no objections to letting those more capable at violence handle the firefights. That kind of self-knowledge is real power, people. But more importantly, her responsibilities to the people of New Haven pretty much rule her out as a love interest; even if this game had romance subplots, she probably wouldn’t have the time or desire to get into a relationship.

You’ve noticed that Strong Female Characters almost never have anything tying them down that would make them turn down a male hero’s advances, right? Helena is a widow who, I suspect, is still in mourning. She’s implied to be a workaholic, and we learn in the second game that her husband died horribly when a local carnivore attacked them after he unknowingly gave her a ring that put out mating pheromones. Helena’s conspicuous displays of strength and competence are, I believe, the result of her burying her grief. She never really comes to terms with his loss, and so while she’s the one character in the game who appears, at least on the surface, to be an uncomplicated hyper-competent badass, she’s about as far from a romantic reward for a male character as you could imagine. The flaw that makes her human is one that strikes directly at the heart of what I hate in so many depictions of women in pop culture, that we are essentially accessories to a man’s story, and that is why I love her.

Oh, also? I think her scars are kinda hot, but that’s just me.

Dr. Patricia Tannis is everyone's favorite amoral lunatic.
Dr. Patricia Tannis is everyone’s favorite amoral lunatic.

I love, love, love Dr. Tannis. She’s the brilliant scientist with a PhD in exposition that any sci-fi setting needs, and she is also completely out to lunch. A series of horrifying and tragic log recordings in the first game chronicle her spiral down into (exaggerated, cartoony, and utterly unrealistic) mental illness. But even as she enjoys the company of her best friend, a chair, she’s never made to be incompetent. What I love about Dr. Tannis so much is that we never laugh at her for being crazy as if it was somehow a failing of hers, or something that undercut her value as a person. The horror of what has happened to her is very much present in every interaction, and that horror is enhanced by how we are coached to empathize with her. In many depictions of mental illness, the illness is used as a way to distance and dehumanize the character, but Tannis is brought in closer, and made more human the longer you speak to her. She’s a tragicomic foil to the entire setting of Pandora, and that doesn’t work unless you care about her as a person. The things she says are funny, sure, but the game never lets you forget that she’s this way because of the things that were done to her, and never makes her the butt of the joke. Patricia Tannis helps us laugh in the face of horror, while we empathize with the pain she is fighting through just to be lucid.

I’ll be a bit personal here: I have had, and continue to have, mental health issues. Not at this (exaggerated, cartoony, and utterly unrealistic) level, no, but I have had nervous breakdowns and I have been suicidal and I have sometimes found myself riding the bus to a destination I don’t remember quietly muttering “I’m sorry, I’m sorry, I’m sorry,” over and over and over again. There are careers I really wanted to have that I am permanently locked out of because of my health. So Patricia speaks to me, in a way. She’s a way of laughing at my own darkest moments, and how they must have looked like on the outside. And the fact that she’s still doing what she loves, even through the illness, that makes my throat go tight when I think about it. Maybe that’s not enough of a basis to build a feminist critique off of. I don’t care. Dr. Tannis makes the fucking game, as far as I’m concerned.

And these are just the women who I have something I want to say about. This post is getting pretty long, and I haven’t even encountered the full cast of both games, so an exhaustive listing won’t be covered here. I never did finish Borderlands 1 (it got too grindy for me) and I have yet to complete Borderlands 2 (although that should be happening soon). Looking at the NPC list on the wiki indicates that there are plenty more women in the casts of both games that I have yet to encounter. Why can’t every ensemble cast be this gender balanced? Why does it have to be so unusual? It shouldn’t be that hard, right? The two golden ingredients–flawed women, and lots of them–have combined in this series to create a wonderful, rich cast with plenty of colorful women who are given the same respect as the men, in most important regards. (I would have liked to see some female bandits out in the wasteland, similar to how Mass Effect has female mercs and goons all over the place.) They get to be flawed–sometimes egregiously so–and they get to have fears and failures and problems. But they also get to be competent, and powerful, and strong, and important in their world. Both, at the same time. Borderlands isn’t a series that is flawless. I’ve got some problems with how they handle short people. Tiny Tina…uh, Tiny Tina needs her own blog post. But even with those flaws, it manages something that is all too rare these days: it treats women with respect, by allowing them to exist in large numbers and also be just as fucked up and weird as the men around them.

When the people try to dehumanize you by holding you to a standard of perfection, there is dignity in being pathetic. On Pandora, everyone is pathetic in one way or another.

[Note: Friends inform me that events in the later part of Borderlands 2 may make it necessary for me to write a follow on post to this one, so be on the lookout for that, maybe, if I get around to it.]